Matthew Dickey

September 22, 2022February 22, 2022

Matthew Dickey (violin-remote only) earned a Master of Music from the Cincinnati College-Conservatory of Music in 2015 studying with Piotr Milewski. He has performed widely in the Midwest with orchestras such as The Indianapolis Chamber Orchestra, the Dayton Philharmonic, and the Queen City Opera Company; he was also on the faculty at the Toedtman School … Read more

Zeb Cruikshank

August 2, 2024February 1, 2022

Zeb Cruikshank (jazz and popular music department chair, jazz, blues, and rock guitar) performs and teaches in musical genres ranging from blues and classic rock to acoustic fingerstyle, jazz, and classical guitar. Most recently he was a full-time guitar faculty member at MacPhail Center for Music in Minneapolis. He holds a Bachelor’s in Guitar Performance from McNally … Read more

Steven Lundahl

February 10, 2022February 1, 2022

Steven Lundahl (recorder, trombone, baritone/euphonium, tuba) holds a B.A. in Music Education from the College of St. Scholastica. He has performed with Boston Baroque Orchestra, the Boston Camerata, Boston Handel and Haydn Society, Calliope, Boston Shawm and Sackbut Ensemble, Ensemble Project Ars Nova, Tafelmusik, Smithsonian Chamber Orchestra, Waverly Consort, and other ensembles. Steve can be heard on … Read more

Stephanie Ratté Jenkins

February 10, 2022February 1, 2022

Stephanie Ratté Jenkins (clarinet, woodwind ensembles) received a B.M. in Music Education from the Crane School of Music in Potsdam, N.Y., and an M.M. in Clarinet Performance from Michigan State University, where she studied under Elsa Verdehr. She performs with Infinities Chamber Ensemble, which is on the Massachusetts Young Audiences roster. Stephanie has performed with many New … Read more

Stefani Burk

February 10, 2022February 1, 2022

Stefani Burk (wind department chair, oboe, woodwind ensembles) attended the University of Iowa (B.A. Music Education, M.A. in Oboe Performance). Her teachers were Robert Dean, Wilma Zonn, James Lakin, and Fred Cohen. Oboist for the Portland Symphony, PORTopera, and Portland Ballet, she has also performed as oboist and oboe d’amore soloist with the NH Music Festival, Opera … Read more

Sagar Khatiwada

February 10, 2022January 31, 2022

Sagar Khatiwada (Himalaya Heritage Music Program) holds a Master’s degree in music from the Banaras Hindu University in Varanasi, India. He was born in Nepal and comes from a very musical family; his brothers play the bamboo flute and sing. He plays the tabla (a double drum with resonating surfaces on the top side) and the madal … Read more

Romeo Melloni

February 22, 2022January 31, 2022

Romeo Melloni (piano, composition) was born in Milan, Italy, and attended Milan University, where he studied musicology with Francesco Degrada. He received his Bachelor of Music from Berklee College of Music and his M.M. and honorary Graduate Diploma in composition from New England Conservatory. His teachers include Robert DiDomenica, Theodore Antoniou, and Giacomo Manzoni. Romeo’s compositions include … Read more

Robert Kruskol

February 10, 2022January 31, 2022

Robert J. Kruskol (trombone, euphonium, brass ensembles) received his B.M. and M.M. from the Juilliard School where he studied trombone with Edward Herman, Jr., and chamber music with Gerard Schwarz. He has performed with the NH Philharmonic, Nashua Symphony, New York Philharmonic, Boston Lyric Opera, New England Brass Quintet, Monadnock Chorus Orchestra, New Jersey Chamber Symphony, and … Read more

Rebecca Herst

February 10, 2022January 31, 2022

Rebecca Herst (piano department chair, piano) holds a B.M. in Piano Performance from the Hartt School of Music, where she was the recipient of the Hartt Talent Scholarship. At Hartt she studied with Leonard Seeber and Paul Rutman, with a concentration in collaborative piano. Rebecca has performed throughout the Northeast, and has taught at Fairfield County School … Read more

Peggo Horstmann Hodes

July 5, 2023January 31, 2022

Peggo Horstmann Hodes (Northern Lights Vocal Ensemble) holds an M.A. in Elementary Education from Lesley College and an M.M. in Vocal Pedagogy from the New England Conservatory. She has been a soloist with the New Hampshire Symphony, Granite State Symphony, Concord Chorale, and the Musicians of Wall Street, and has premiered works written for her by William … Read more

In His Own Words: a Q&A with James Fernando

The James Fernando Trio returns to Concord Community Music School on Saturday, March 21, 2026 to headline CCMS’s annual Jazz Night Fundraiser. Fernando (above, center) is a Philadelphia-based pianist whose career includes international performances, collaborations with GRAMMY Award–winning artists, and five acclaimed albums.CCMS: You’ve toured and performed your music in jazz venues and arts centers across the U.S., from Scottsdale and Maryland to New England. How does playing in different regions shape the energy of your show and influence what you do later on? JF: Meeting audiences and playing in different venues across regions is a truly fantastic experience. No amount of practice can substitute for the “real thing,” which to me is a live show. With each performance comes the audience reactions, discussions with the folks who are working to present the performance, and our own feelings of how the show went. Each show gives us a new opportunity to build off of what came before and discover ways of building an even deeper connection with each other, the music, and our audiences. Plus, all the shared time traveling as a band helps us build deep understandings of one another.CCMS: When someone comes to their very first jazz show, what do you most want them to notice or feel?JF: I want to welcome first time jazz listeners to feel the incredible energy that comes from a band that’s deeply locked in and spontaneously playing off of one another. I also want listeners at my shows to come along for the ride and feel the storytelling through music that I try to create with each piece we play. Jazz gets a reputation of being low energy or belonging in the background, and when it’s at its best (and presented well!) it’s a captivating experience for a listener.CCMS: What makes this trio work, both musically and personally? What does each player bring that couldn’t be replaced? JF: My bandmates each bring the rare combination of a deep understanding and respect for tradition paired with a fearless ability to look forward and make this music live and breathe in present day.CCMS: How much of what the audience hears is planned, and how much is created in the moment? JF: I like to think of improvisation a lot like a conversation. You may show up to coffee with a friend knowing you’re going to ask them for updates on a certain subject and share specific things from your own life. But you probably didn’t show up to that coffee with an agenda written out. It’s a similar mix with the music we play—there’s large sections that are composed, large sections that are made up on the spot, and many things that are created spontaneously but stem from our shared history, much like an inside joke.CCMS: Can you tell us a bit about your new album, Philly 3 (coming out in Feb 2026)? What was the process of putting it together like, and how did it influence the trio’s live performances?JF: We recorded Philly 3 over two days at Elm Street Studios in the Philadelphia area. The experience gave us the chance to give ourselves many rounds of feedback while we recorded and listened back leading into the final product. It’s a tough journey to bring music from my imagination into the world through other musicians, and these guys nailed it!CCMS: You performed at CCMS before during Bach’s Lunch — what stood out to you about that experience or that audience? JF: Everyone brought such warmth and enthusiasm to our show, both from the audience side and from the folks who work at CCMS. It’s no wonder we are coming back!CCMS: If someone leaves this Jazz Night Fundraiser remembering just one thing about the experience, what do you hope it is?JF: That CCMS is a special place worth supporting! Tickets for the 2026 Jazz Night Fundraiser are $80; $300 for a table of 4. Order now here.###https://www.youtube.com/watch?v=Cgcx0Afn5FI
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Boots and Beats: Music Therapy for Those Who’ve Served

Boots and Beats is a music-based support program for service-connected personnel and their families led by board-certified music therapist and Navy veteran Tony Varga. It was founded on a core belief that music is where healing happens, because it is where memories live, emotions awaken, and thoughts blossom. The vitality of music is readily evident in our collaboration with partner agencies such as the NH Veterans Home, Harbor Care, and Easterseals NH, where services are provided for individuals and groups at host facilities or on site at CCMS. On one such occasion, NH Veterans Home staff were awestruck to witness the response of a minimally communicative 101-year-old resident, who upon hearing a Frank Sinatra song, began singing along with the lyrics. Service does not come without sacrifice: the sacrifice of separation, sacrifice of autonomy, and sacrifice of self for others. Veterans deserve more recognition than is afforded to them on a few national holidays each year – they need to feel more permanently included and appreciated in society. Boots and Beats complements ongoing regional efforts and amplifies local impact. It offers continuing support to those whose service-connected sacrifices have shaped their post-service civilian selves. For a returning veteran, the scars of service are not always visible, This presents challenges to healthy socialization, as in the case of a participant who routinely attended sessions shrouded in the safety of his hoodie. Recently, however, he has begun to consistently remove his hood upon joining our session – a gesture of respect and trust that even his case managers have yet to experience in their interactions with him. Boots and Beats creates a safe place for individual and family healing, side-by-side with their civilian community. What emerges is not just coping, but a trusted network of community support that will “have your six” for whatever you need, for as long as you need it. In Merrimack County, the veteran presence is significant: about 8.5% of residents are veterans – roughly 10,360 individuals. This local density underscores why a program like Boots and Beats is such an important resource for assisting our veteran neighbors with living their most productive and satisfying lives in civilian communities. Why a music-based approach? The evidence is strong. Studies show that structured music interventions (such as drumming, songwriting, guided listening) reduce symptoms of PTSD, depression, and anxiety for veterans. The American Music Therapy Association lists rhythm-based and receptive-music techniques among effective tools in veteran populations. Music activates the brain’s emotion, memory, and motor networks. It helps regulate nervous system arousal and fosters social connection, which is especially helpful when conventional talk therapy feels limiting. Boots and Beats sessions include (but aren’t limited to): Group drumming or body rhythms to build regulation, presence and peer solidarity. Guided listening and lyric-driven songwriting, to surface memories and gently re-route them toward resilience. Instrument learning (guitar, ukulele, percussion) for mastery, reward, habit, and joy. Family-friendly modules where a spouse or child can join – not just the veteran alone There is no expectation of performance and no prior training is required; just showing up and making an effort counts. Boots and Beats is a steady and reliable place where music, memory, and healing converge. On Veterans Day and beyond, that steady place matters greatly. All members of military communities, active duty, reservists, prior service, career retirees, and their families are invited to inquire about Boots and Beats by contacting CCMS Music Therapist Tony Varga at avarga@ccmusicschool.org or 603-228-1196.
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CCMS Welcomes “Wagner’s Women: Archetypes and Inspirations” on Nov 15

The stained-glass windows at Concord Community Music School iconic Recital Hall might shake a little when the Berlin Wagner Group (BWG) puts on its Wagner’s Women performance on Saturday, November 15. Wagner’s lengthy operas are often compared to four-course meals. But this free event promises attendees many of the highlights of a Wagner production, just in bite-size format.“By dissolving the distance between stage and audience, BWG creates intimate, powerful encounters with Wagner’s music and the artists who bring it to life,” says CCMS voice faculty member (and BWG founder) Peter Furlong.And what better place to dissolve the distance between the stage and the audience than at Concord Community Music School’s own 150-seat recital hall?Furlong, who teaches students from his home in Germany, and CCMS piano instructor Kathy Southworth first brought the idea of this performance to executive director Daniel Acsadi a year ago. The two organizations worked to tailor the performance to the Concord audience and was awarded grant funding from the City of Concord and the New Hampshire Charitable Foundation in order to make the show a reality.“CCMS is a great venue for this concert because its intimate setting and beautiful acoustics let audiences experience Wagner’s music up close, while its welcoming, community-focused space reflects our mission to make world-class music accessible to everyone,” says Furlong. Motivated by his own experience trying to break into the world of singing Wagner, Furlong founded the BWG in 2017. His biggest goal in founding the group was to give singers the opportunity to coach, rehearse and perform Wagner’s works while learning new roles and building their performance resumes. BWG also aims to make Wagner’s operas — which are famously long, loud, and intricate— more approachable, which the group accomplishes through their “Snackable Wagner Series.” This series has featured events focused on various aspects of Wagner’s music through the years and includes the Wagner’s Women performances.The Wagner’s Women theme was conceived by BWG board member and soprano Jenny Ribeiro only a few years ago. Ribeiro had met Furlong years earlier as fellow performers in the New York City opera scene. But her first exposure to the BWG came in 2022, when she was invited to take part in the group’s Wagner’s Ring in One Evening performance in New London, New Hampshire. Six months later, Furlong reached out to her again, with an offer to join the group’s board. At one of her first board meetings, Ribeiro pitched the concept of Wagner’s Women, and the board quickly empowered her to develop the idea.“So many people talk about Wagner’s characters as archetypes, but what was really fascinating to me were the women in Wagner’s own life,” says Ribeiro. “I thought it would be interesting to develop a program based around how the women in his life paralleled the characters and the themes he brought to the women in his operas.”Ribeiro joined forces with fellow board member Dalia Geffen and the two produced the first Wagner’s Women performance in Boston in 2024. For the November show in Concord, Ribeiro will take pieces of the script and structure used in their initial performance and adapt them to the musicians and intended length of the event. The program will offer its audience a unique opportunity to enjoy Wagner’s music — typically performed in grand concert halls with large orchestras — in a far more intimate setting. Southworth, who also sits on the board of the BWG, will be the lone accompanist for the program. She will be joined by three singers – fellow BWG board member Ribeiro, soprano Joanna Parisi, and mezzo/contralto Rachel Barg. CCMS voice faculty Jennie O’Brien, who also happens to be Furlong’s sister, will narrate the show.“The audience can expect a light-hearted romp through Wagner’s world, in a fun and engagingly narrated concert,” says Furlong. “We explore the women who shaped Wagner’s life and discover how his search for loyalty and faithfulness in turn shaped the unforgettable heroines of his operas who are then brought vividly to life by soaring voices performed in a way you’ve never heard them before; up close and personal.”It should truly be a night to remember for those in attendance as the BWG and its Wagner’s Women series continues it mission to bring this niche art form into both traditional and unexpected spaces.“CCMS is a pillar of music education and performance in Concord and to be asked to be working with such a well renowned school, one that nurtures and helps its students excel, is an honor for BWG,” says Furlong. Ribeiro continues, “this performance is very much a homegrown, community effort and we’re excited to share it with the people of Concord.”###Above: Soprano Jenny Ribeiro, in another of Berlin Wagner Group’s productions, Ring in One Evening, 2022. Photo credit: Alexander Rivero
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0 events 1 0 events, 1	0 events 2 0 events, 2	0 events 3 0 events, 3	0 events 4 0 events, 4	1 event 5 1 event, 5 12:10 pm - 12:50 pm Bach’s Lunch: Zefira Trio February 5 @ 12:10 pm - 12:50 pm Bach’s Lunch: Zefira Trio Zefira Trio comprises violinist (and CCMS faculty member) Olga Patramanska-Bell, cellist Ashima Scripp, and pianist Eleanor Perrone. The program features a dynamic mix of expressive chamber works: Trio on Irish Folk Tunes (Frank Martin; 1899-1974) Three Nocturnes (Ernest Bloch; 1880-1959) Piano Trio in c minor, Op. 101 (Johannes Brahms; 1833-1897) The members of ... Read more	0 events 6 0 events, 6	1 event 7 1 event, 7 1:00 pm - 4:00 pm CANCELLED – 2026 Winter Folk Student Recitals & Jam February 7 @ 1:00 pm - 4:00 pm CANCELLED – 2026 Winter Folk Student Recitals & Jam Due to winter weather, this event has been cancelled. Join us for an afternoon of folk student performances, plus a jam with faculty from the Concord Community Music School Folk Department. This event is free and open to the public. Bring your instruments to join in! Schedule: 1:00pm - Recital 1 2:00pm - Open Folk ... Read more
0 events 8 0 events, 8	0 events 9 0 events, 9	0 events 10 0 events, 10	0 events 11 0 events, 11	1 event 12 1 event, 12 12:10 pm - 12:50 pm Bach’s Lunch: Rivers of Time (The Family Hodes with Kent Allyn) February 12 @ 12:10 pm - 12:50 pm Bach’s Lunch: Rivers of Time (The Family Hodes with Kent Allyn) As “The Family Hodes”, Kittery Point artists Peggo and Paul Hodes return for their annual Valentine’s day show at CCMS, joined by their long-time musical colleague, Kent Allyn with special guests, Ariana Hodes and The Longest Year! This year’s show celebrates the many faces of love over time. Peggo and Paul Hodes have been ... Read more	0 events 13 0 events, 13	0 events 14 0 events, 14
0 events 15 0 events, 15	0 events 16 0 events, 16	0 events 17 0 events, 17	0 events 18 0 events, 18	1 event 19 1 event, 19 7:00 pm - 8:00 pm CCMS Collaborative Arts Recital – Feb 19, 2026 February 19 @ 7:00 pm - 8:00 pm CCMS Collaborative Arts Recital – Feb 19, 2026 Student recitals are part of the Music School’s multi-level curriculum for private lesson students. These frequent performance opportunities help our students perform more easily, broaden their musical skills, and help them make new musical friends. This performance is extra-special because participants have the opportunity to display visual art they have created, using their music as ... Read more	0 events 20 0 events, 20	1 event 21 1 event, 21 6:00 pm - 9:00 pm NE Roots and Branches – “Transatlantic Tunes: Celtic & British Isles Folk Tunes” February 21 @ 6:00 pm - 9:00 pm NE Roots and Branches – “Transatlantic Tunes: Celtic & British Isles Folk Tunes” Continue to explore the roots of New England's unique and beautiful folk music tradition via Concord Community Music School's ongoing "New England Roots & Branches" series. Some of New Hampshire's premier folk musicians will combine concerts, jam sessions, and contradancing into lively celebrations of a variety of traditions. Folk musicians of all levels are invited ... Read more
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